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Teriberka
Olga Kravets
Driving up to the Barents seashore feels like heading to the middle of nowhere. Ironically, in winter the drive is much smoother and twice faster — flattened snow compensates 40 km of unpaved road. When I was first heading there, I was expecting to find an abandoned place under decay, with alcoholics starting their days with cheap Russian porto instead of espresso. What I found was nowhere near, making me fall in love with the place instantly. The houses might be indeed run down, but the people are true Northerners — not to freeze one needs to stay sober. They are increadibly hospitable — nobody would be left outside on a cold day. They love their land, worship it and write songs to it. When I fist came, the infamous house, destroyed in the final scene of Leviathan was being built, and rumours were circulating about “some filmmakers from Moscow”. When I came next time, I have already seen the film. The people of Teriberka of course didn’t due to Russia’s distribution restrictions, and it was not that they really cared. But I warned them, that even though I found the film absolutely genius, it portrayed a generic Russia rather than Teriberka proper. I warned them not to get upset or offended. Eventually they did. Unlike in the film, things are going fine there. Gasprom is promising again to come back and bring jobs. Igor’s got new lights for his disco and the village club stands shiny after renovation. Valera has become a local MP and now has real power to put his “Save Teriberka initiative into life”. Northern spirit stays strong. Text by Olga Kravets